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“Look & See” Score Released on September 1

“Look & See: A Portrait of Wendell Berry” premiered at SXSW in 2016, then under the title “The Seer.” It was retitled for its run at the Sundance […]

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Casanova Returns!

After a successful run in early 2017, including a week of sold-out performances at Sadler’s Wells in London, Casanova returns for two more performances on August 4 & […]

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Skandi: The Complete Score for a TV Series… that Doesn’t Exist

A few years back I got sucked into the craze of Scandinavian drama and crime drama series. I love that the place is a character unto itself: Iceland, […]

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How We Did It: Creating the 18th-Century “Casanova” Via 21st-Century Skype

Northern Ballet’s “Casanova” premiered at the Leeds Grand Theatre on March 11, and opening night was the most amazing experience. It wouldn’t be hyperbole to say that many […]

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The Telegraph: Review of “Casanova” Opening Night

For the past year I’ve been working on a single gig, and it’s one of those wild cards that comes along – totally outside of what I’d normally […]

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Sundance 2017: “Look & See: A Portrait of Wendell Berry”

This film (formerly “The Seer”) is the little-documentary-that-could. Sometimes you get the privilege of working on something that’s so good, and so high-quality, that you miss it when […]

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“Casanova” Trailer Released!

Northern Ballet has just released the trailer for “Casanova,” an original full-length ballet with live orchestra, original score by…. me! I’m wrapping up the score over the next […]

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“Shut In” Trailer Uses “The Vicar, The Knife & The Choice”

Two trailers in as many months, and both featuring Naomi Watts. I feel like I should maybe send her a thank-you note? “Shut In” looks really fun: I […]

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“Sea of Trees” trailer uses “Broken People” from “The Architect.”

There are some things that are just way cooler than others. And today that super-cool thing is having my music turn up as the theatrical trailer for the […]

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Kerry Muzzey Composing Northern Ballet’s “Casanova”

On May 23, Northern Ballet held a press conference and performance at London’s Christchurch, announcing their commission of a new full-length ballet by choreographer Kenneth Tindall. I was […]

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